The Masonic Hall, Aspatria

The Orthodox Church will tell you that there’s no finer instrument than the human voice, which is why you don’t find musical instruments in their Churches. Dalston Male Voice Choir certainly proved this point to their audience for Saturdays concert held at Aspatria Masonic Hall.

This quality choir delighted everyone with a diverse range of songs. For me it proved a nostalgic night bringing many musical memories back to life. A stirring rendition of Sigmund Romberg’s Drinking Song From the Student Prince opened their programme. The choir made full use of the scope for harmony in the traditional Lily of the Valley which they followed with an uplifting arrangement, by F.C.Wadley, of our very own John Peel. I remember being in awe of Dr Wadley when he organised training days for the Royal School of Church Music at Carlisle Cathedral.

Next , one of my favourite composers Gabriel Faure. His uncluttered musical style produced works of exquisite beauty. Cantique de Jean Racine is one such piece becoming a favourite amongst singers the world over. It requires firm control from Conductor and singers alike. Its intimacy reaches out to touch the soul and the choir did just that, wonderful. The Choirs new conductor, Michael Deakin is only ten months in post but he has already made his mark. He has an excellent rapport with his team and his enthusiasm and musical skills shone through. Lorraine Gash proved to be a wonderful asset to the Choir. Accompanists are often overlooked but a good Accompanist is worth their weight in gold and Lorraine is good.

Four members of the choir formed the close harmony group “Close Shave” whose relaxed style and quick humour belies their skill and hard work in producing two very fine musical sets. They made it look so easy.

Folk songs to Opera just flowed from this talented Choir. Hugh Robertson’s All in an April Evening being another personal favourite and the Choir did not disappoint , I found myself wanting to join in.

Nothing like a Dame followed by the Welsh Calon Lan then The Rose and Joe Green’s (Verdi’s Nabucco) Chorus of the Hebrew Slaves continued to show the Choirs versatility and wide musical ability. They sang together, listening to each other to blend into that wonderful rich sound that you expect from a fine male voice choir.

They cared about diction, finishing together and balancing their sound to communicate with their audience, which they did throughout the whole performance. I wonder if this fine Choir could bring their talents to a younger audience, working in schools, developing further their support of younger musicians. Now there is a thought.